By asking to look at his work from an aesthetical point of view, André Gide wishes to go beyond the moral and psychological standards which tend to consider some parts of sexuality outside of the norm. Gide shows all the flaws of what is considered normal. In doing so, the family has to face its own flaws. The appearance that is shown by some characters of L'Immoraliste, Les Caves du Vatican or Les Faux-monnayeurs, gives the author the opportunity to reconsider the model that embodies the bourgeois family. Hence, it appears that the principles on which are based the norm and what is normal aren’t enough to claim that some perversions are just deviances. Playing with appearances, the characters range from simple acting to complete disguise; therefore, no one can rely on what they have shown. Through rhetorical and aesthetical games, Gide invites us to redefine perversion. Moving the boundaries that place the homosexual outside of the norm, Gide goes in depth about homosexuality and its standing in our society. Thanks to this new definition, it will emerge first in Anglo-Saxon countries and later in France a new approach to sexuality called "Gender Studies".
