Beyond Autobiography

The 1970s saw the first signs of a new way of thinking about photography in France. This was underpinned by a two-way movement in artistic practice and its theorization, with names like Raymond Depardon, Gilles Mora, Claude Nori, Bernard Plossu and Denis Roche in the forefront. A unifying thesis for these artists and theorists was the conviction that photography and life are intimately linked, a premise which could form the basis of a new visual language.

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Additional Info

Field Value
Source Textual and Visual Selves. Photography, Film, and Comic Art in French Autobiography
Author Montémont, Véronique
Maintainer CCSD
Last Updated May 9, 2026, 15:29 (UTC)
Created May 9, 2026, 15:29 (UTC)
Identifier ISBN: 978-0-8032-3631-8
Language en
contributor Ressources, normalisation, annotation et exploitation ; Analyse et Traitement Informatique de la Langue Française (ATILF) ; Université de Lorraine (UL)-Centre National de la Recherche Scientifique (CNRS)-Université de Lorraine (UL)-Centre National de la Recherche Scientifique (CNRS)
creator Montémont, Véronique
date 2011-05-09T00:00:00
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metadata_modified 2025-11-04T00:00:00
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