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"Excellent falsehood": Secrecy and the Politics of Eros in Shakespeare's Anto...
Texte lu à l'occasion du colloque international de la Renaissance Society of Americe tenu à Montréal du 24 au 26 mars 2011, dans l'atelier 'Shakespeare and Secrecy' (F. Laroque,... -
Hamlet's Ghost on Screen : The paradox of the Seventh Art
The infinite possibilities offered by the cinema in terms of special effects, fully exploited since Méliès, should have enabled directors to show infinite... -
Shakespeare
Article "Shakespeare" dans Alain Vaillant (dir.), Dictionnaire du Romantisme, Paris, CNRS Éditions, coll. " Compendium ", 2012 -
M. Tchekhov, le roi Lear ou les rôles rêvés d'un théâtre impossible
International audience -
"Au théâtre, on n'immole pas." Violence et théâtralité dans le "Titus Androni...
Mireille Calle-Gruber, Gilles Declercq et Stella Spriet (éds.). ISBN : 978-2-87854-569-2. -
The Early Modernising of Female Transgression - From 'Fiction' to 'Fact' (and...
International audience -
(Im)politic Jesting
Argues that the specifically political role of the Fool in Shakespeare's King Lear may be illuminated by the documents bearing on Antoine Anglarez, the fool of Henri... -
Compte rendu de Ros King et Paul J. C. M. Franssen, éds, Shakespeare and War,...
Dans Shakespeare Quarterly 64.1 (2013) -
Savage Madness Meets with Comic Folly
Analysis of As You Like It, by Shakespeare, and Philaster, by Francis Beaumont and John Fletcher, shows that, contrary to the period's conventional moral teaching,... -
L'univers tragi-comique du théâtre shakespearien et ses précédents sur la scè...
A study of the genre of tragicomedy in the English Renaissance theatre with particular concentration on Shakespeare and attention to the historical development of the...
