@prefix dcat: . @prefix dct: . @prefix foaf: . @prefix vcard: . @prefix xsd: . a dcat:Dataset ; dct:description """ When we speak about the making of violins most people will only mention the best three world-known Italian stringed-instrument makers: Nicolo Amati, Antonio Giacomo Sradivari, Bartolomeo Giuseppe Antonio Guaneri (Guaneri del Gesù). Without any doubt they are the masters in the art of stringed-instrument manufacture and the three of them come from the Cremonaise. Moreover their violins have inspired their successors and the present-day stringed-instrument makers a lot. At the end of the 18th century violins were mainly made in France especially in Paris where several talented stringed-instrument makers such as Jacques Bocquay, Jean-François Aldric and Leopold Renaudin among others were famous. Although they are less well-known than Stradivari and Guarneri they took the Italian designed methods into account and thanks to them they created the French Style. Finally in the 19th century Jean-Baptiste Vuillaume appeared in France: he was not just an excellent stringed-instrument maker and innovator but also a very famous copyist of Stradivari’s work. What’s more he was also a great practitioner of acoustics and an outstanding trader. Consequently he is now known as the “French Stradivari”. Thus my thesis is made up of three parts: the origin of the art and analysis of the structure of a Stradivari mould, Jean-Baptiste Vuillaume’s design of a violin, the study of the structure of violins from acoustic basis and finally a conclusion.319th century Jean-Baptiste Vuillaume appeared in France: he was not just an excellent stringed-instrument maker and innovator but also a very famous copyist of Stradivari’s work. What’s more he was also a great practitioner of acoustics and an outstanding trader. Consequently he is now known as the “French Stradivari”.Thus my thesis is made up of three parts: the origin of the art and analysis of the structure of a Stradivari mould, Jean-Baptiste Vuillaume’s design of a violin, the study of the structure of violins from acoustic basis and finally a conclusion. """ ; dct:identifier "NNT: 2012STRAC013" ; dct:issued "2026-06-01T02:56:36.959376"^^xsd:dateTime ; dct:language "fr" ; dct:modified "2026-06-01T02:56:36.959386"^^xsd:dateTime ; dct:publisher ; dct:title "the french violin making school in the nineteenth century : Jean-Baptiste Vuillaume : originality and imitation of model violin cremona" ; dcat:contactPoint [ a vcard:Organization ; vcard:fn "CCSD" ] ; dcat:distribution ; dcat:keyword "acoustic-basis", "acoustique-du-violon", "audiosculp", "french-violins", "infoeu-reposemanticsdoctoralthesis", "jean-baptiste-vuillaume", "lutherie-francaise", "luthier-francais", "making-of-violins", "moule-g", "shsmusiqhumanities-and-social-sciencesmusicology-and-performing-arts", "stradivarius", "theses", "violon-francais" ; dcat:landingPage . a dcat:Distribution ; dct:format "HTML" ; dct:issued "2026-06-01T02:56:37.134303"^^xsd:dateTime ; dct:modified "2026-06-01T02:56:36.848046"^^xsd:dateTime ; dct:title "the french violin making school in the nineteenth century : Jean-Baptiste Vuillaume : originality and imitation of model violin cremona" ; dcat:accessURL . a foaf:Agent ; foaf:name "test_moissonnage_selune" . a foaf:Document .